{"id":1721,"date":"2023-12-05T06:44:13","date_gmt":"2023-12-05T05:44:13","guid":{"rendered":"https:\/\/carnet-critique.com\/?page_id=1721"},"modified":"2026-05-06T03:29:16","modified_gmt":"2026-05-06T01:29:16","slug":"appel-a-contributions","status":"publish","type":"page","link":"https:\/\/carnet-critique.com\/index.php\/appel-a-contributions\/","title":{"rendered":""},"content":{"rendered":"\n<p class=\"has-text-align-center has-medium-font-size\"> <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"http:\/\/carnet-critique.com\/wp-content\/uploads\/2023\/12\/White-and-Black-Professional-Magazine-Cover-724x1024.jpg\" alt=\"\" class=\"wp-image-1693\" srcset=\"https:\/\/carnet-critique.com\/wp-content\/uploads\/2023\/12\/White-and-Black-Professional-Magazine-Cover-724x1024.jpg 724w, https:\/\/carnet-critique.com\/wp-content\/uploads\/2023\/12\/White-and-Black-Professional-Magazine-Cover-212x300.jpg 212w, https:\/\/carnet-critique.com\/wp-content\/uploads\/2023\/12\/White-and-Black-Professional-Magazine-Cover-768x1086.jpg 768w, https:\/\/carnet-critique.com\/wp-content\/uploads\/2023\/12\/White-and-Black-Professional-Magazine-Cover-1086x1536.jpg 1086w, https:\/\/carnet-critique.com\/wp-content\/uploads\/2023\/12\/White-and-Black-Professional-Magazine-Cover-450x636.jpg 450w, https:\/\/carnet-critique.com\/wp-content\/uploads\/2023\/12\/White-and-Black-Professional-Magazine-Cover-1024x1448.jpg 1024w, https:\/\/carnet-critique.com\/wp-content\/uploads\/2023\/12\/White-and-Black-Professional-Magazine-Cover-424x600.jpg 424w, https:\/\/carnet-critique.com\/wp-content\/uploads\/2023\/12\/White-and-Black-Professional-Magazine-Cover.jpg 1414w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n<p style=\"text-align: center;\"><strong><span style=\"font-family: Book Antiqua, Palatino;\">\u00a0CULTURE DE LA M\u00c9MOIRE ET PO\u00c9TIQUE DE L&rsquo;OUBLI DANS LA LITT\u00c9RATURE CONTEMPORAINE ET EXTREME-CONTEMPORAINE : ENTRE H\u00c9RITAGE ET TRANSMISSION<\/span><\/strong><br \/><span style=\"font-family: Book Antiqua, Palatino;\">Colloque (en ligne), 30-31 octobre 2023.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">L\u2019objectif de ce colloque est d\u2019interroger les liens entre litt\u00e9rature, oubli et m\u00e9moire, dans une perspective pluridisciplinaire, l\u2019interf\u00e9rence entre litt\u00e9rature et sciences humaines,\u00a0 et critique, celle de l&rsquo;usage de la m\u00e9moire et des modes de gestion du pass\u00e9. Que peut l&rsquo;\u0153uvre litt\u00e9raire face \u00e0 l\u2019oubli, au silence, \u00e0 l\u2019amn\u00e9sie\u00a0? Que peut, aujourd\u2019hui, la litt\u00e9rature dans le d\u00e9bat sur la comm\u00e9moration de certains \u00e9v\u00e8nements du pass\u00e9\u00a0? Par sa volont\u00e9 \u00e0 r\u00e9parer le pr\u00e9sent, par ses revendications identitaires et m\u00e9morielles, \u00e0 travers sa capacit\u00e9 renouvel\u00e9e \u00e0 questionner l\u2019h\u00e9ritage, son actualisation, par sa conscience de l\u2019\u00e9volution historique et l&rsquo;urgence de d\u00e9passer cette p\u00e9dagogie essentiellement n\u00e9gative de la culture m\u00e9morielle qui fonde le pr\u00e9sent sur les utopies sanglantes du XXe si\u00e8cle, l\u2019acte d\u2019\u00e9crire peut-il r\u00e9parer l\u2019histoire dont nous sommes les h\u00e9ritiers\u00a0? \u00a0Ces questions sont particuli\u00e8rement utiles pour s&rsquo;interroger sur nos espoirs cosmopolitiques et notre responsabilit\u00e9 face aux g\u00e9n\u00e9rations futures. (Hans Jonas)<\/span><br \/><span style=\"font-size: 12pt;\"><strong><span style=\"font-family: Book Antiqua, Palatino;\">Quelques pistes de r\u00e9flexion\u00a0:<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">\u00b7 Litt\u00e9rature et histoire\u00a0: fiction et r\u00e9alit\u00e9 historique<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">\u00b7 Archive et lieux de m\u00e9moire<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">\u00b7 Po\u00e9tique de la m\u00e9moire et usage du pass\u00e9<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">\u00b7 T\u00e9moignage et responsabilit\u00e9<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">\u00b7 H\u00e9ritage, filiation, transmission<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">Propositions de communication (3000 signes), accompagn\u00e9es d\u2019une br\u00e8ve notice biographique.<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">Chaque communication durera 30 minutes, suivie d&rsquo;une discussion, et donnera suite \u00e0 une publication.<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\"><strong>Propositions \u00e0 envoyer \u00e0<\/strong> : p.eisenberg@carnet-critique.comavant le 30 septembre 2023.<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\"><strong>Langues\u00a0:<\/strong> Fran\u00e7ais, anglais, italien, allemand.<\/span><br \/><span style=\"font-size: 12pt;\"><strong><span style=\"font-family: Book Antiqua, Palatino;\">Bibliographie indicative : <\/span><\/strong><\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">Nussbaum, Martha, Les \u00e9motions d\u00e9mocratiques. Comment former les citoyens du XXIe si\u00e8cle\u00a0?, Flammarion\/Climats, 2011.<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">Jonas, Hans, Le principe responsabilit\u00e9, Paris, Flammarion, 1998.<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">Nora, Pierre, Pr\u00e9sent, nation, m\u00e9moire, Paris, Gallimard, 2011.<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">Garapon, Antoine, Peut-on r\u00e9parer l\u2019histoire\u00a0? Colonisation, esclavage, Shoah, Paris, Odile Jacob, 2008.<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">Garapon, Antoine, Des crimes qu&rsquo;on ne peut ni punir ni pardonner\u00a0: pour une justice internationale, Paris, Odile Jacob, 2002.<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">Jenni, Alexis, Stora, Benjamin, Les M\u00e9moires dangereuses, suivi d\u2019une nouvelle \u00e9dition de Transfert d\u2019une m\u00e9moire, Paris, Albin Michel, 2016.<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">Canault, Nina, Comment paye-t-on les fautes de ses anc\u00eatres\u00a0: l&rsquo;inconscient transg\u00e9n\u00e9rationnel, Paris, Pocket, 2016.<\/span><br \/><span style=\"font-family: Book Antiqua, Palatino; font-size: 12pt;\">Derrida, Jacques, Spectres de Marx\u00a0: l&rsquo;\u00c9tat de la dette, le travail du deuil et la nouvelle Internationale, Paris, Galil\u00e9e, 1993.<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>\u00a0CULTURE DE LA M\u00c9MOIRE ET PO\u00c9TIQUE DE L&rsquo;OUBLI DANS LA LITT\u00c9RATURE CONTEMPORAINE ET EXTREME-CONTEMPORAINE : ENTRE H\u00c9RITAGE ET [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"content-type":"","om_disable_all_campaigns":false,"footnotes":""},"class_list":["post-1721","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/carnet-critique.com\/index.php\/wp-json\/wp\/v2\/pages\/1721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carnet-critique.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/carnet-critique.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/carnet-critique.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/carnet-critique.com\/index.php\/wp-json\/wp\/v2\/comments?post=1721"}],"version-history":[{"count":8,"href":"https:\/\/carnet-critique.com\/index.php\/wp-json\/wp\/v2\/pages\/1721\/revisions"}],"predecessor-version":[{"id":2609,"href":"https:\/\/carnet-critique.com\/index.php\/wp-json\/wp\/v2\/pages\/1721\/revisions\/2609"}],"wp:attachment":[{"href":"https:\/\/carnet-critique.com\/index.php\/wp-json\/wp\/v2\/media?parent=1721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}